As a composer for film I move over vast territories as far as genres go. My primary focus is always what the film needs, and then to find it on my musical palette. I try as much as possible to use acoustic instruments and human voices when I write and record my scores. From experience and conviction this makes for a much more unique and vivid expression.

I work out of my own studio, Elephant Culture Studios in Stockholm on the borough of Södermalm. This is where I write, record and mix most projects. The studio has industry standard equipment and platforms making communication with editors and such smooth.

Below is a list of films I've worked on. You can listen to audio tracks and find several video clips from various productions.

The Return of the Ghost Ship (National Geographic)
By På Höjden (Staffan Kihlbom/Petrus Olsson)
The Cuban Colonel, the Rusian General and the (Near) Distruction of the World (Malcolm Dixelius)
Koenigsegg - the Dreamcar and the Dream Deal (Malcolm Dixelius)
Under Cover Girl (Folke Rydén)
The Linnaeus Expedition (Folke Rydén/Mattias Klum)
The Tsunami Generation (Folke Rydén)
Viljornas Kamp (Liv Weisberg)